JACQUEMUS: LES 15 ANS — A MEMORY, CUT ON THE BIAS

Fifteen years in, Jacquemus is no longer the young brand. It’s the archive in motion. The signature re-seen. The silhouettes that once defined a mood now returned with intent.

With Les 15 Ans, Simon Porte Jacquemus turns his own past into material—revisiting iconic pieces not as nostalgia, but as code. La Robe Saudade. La Robe Favola. La Robe Col U. Not replicas, but reflections. Each shape re-entered with new proportion, each reference softly re-edited. It’s a look inward that points forward.

This is not a greatest hits collection. It’s a conversation between eras, stitched from memory. The draped lines of La Robe Castagna (2024) sit beside La Robe Riviera (2018), recalling both the sensuality of La Bomba and the sculptural rhythm of Les Sculptures. The result is less about chronology, more about instinct. An emotional map of Jacquemus—the obsessions that return, the shapes that stay.

More than a collection, Les 15 Ans is a portrait. Of a brand in flux, yes—but also of a woman whose style doesn’t follow time, it rewrites it. Slipped dresses, micro skirts, and sixties necklines become fragments of a larger language: one that has always said more with less.

Unfolding across Galeries Lafayette in Paris and Saks Fifth Avenue in New York, the collection lives not just in boutiques, but in windows—like poems framed for passing strangers. It’s a celebration of where Jacquemus has been. But more importantly, it reminds us: the brand has only just begun speaking.